Rel Acoustics
HT/1003 mkII
Subwoofer

The sexy new cabinetry is bespoke, with new textures, proportions, and finishing touches previously unseen in the category. Lower, sleeker cabinetry borrows proportions drawn from our new Reference models. Through experimentation over the years, we have found that this results in a faster, deeper presentation of bass—all while looking smashing. The eye is immediately drawn to the top panel, which is finished in 5 coats of hand-polished piano black lacquer. A discreet REL logo floats within the top layer of lacquer, whilst the body of the cabinet is clad in horizontally streaked, line-grained composite. The entire affair looks expensive, bespoke, and tastefully restrained. Also, it can be combined with either Serie T/x or Serie S in large, fully-immersive REL HT/3D™ setups.*

• Drive Like You Mean It

Amplifiers do the dirty work and the heavy lifting in a theatre subwoofer. We turned to a true Tier One amp supplier to build our latest design for us; they didn’t disappoint. They created thicker boards, and upgraded power supplies—all the stuff that, while not sexy, results in a brutally powerful 300W amp (did you know all RELs are specified as RMS Continuous, just like a big, expensive 300 W monoblock amp?) with remarkable longevity. It generates truly awe-inspiring sound. While its theatre applications get all the headlines, its big secret is that it sounds sublime in musical applications. Big and robust-sounding, the HT/1003 MKII is sure to become an instant classic.

PerfectFilters™: Where Perfection Starts

REL input filters are renowned throughout the audio world. They bring together ultra-fast analogue crossovers, customer-designed elevation filters that extend the flatness of deep bass, and integrated limiters that allow all the power to explode outward. This compact series of analogue circuits is REL’s secret recipe in both music and film sound. Refined in this second generation, the secondary filters used now allow extension to a much higher frequency, allowing the rarefaction of air in the sound of an explosion to feel that much more realistic. Additionally, our latest circuit includes an all-analogue subsonic filter that begins as low as 12 Hz to minimize the effects of infra-noise from soundtracks that extends well below the resonance point of the driver. The result is incredible delivered power with the ability to play to the driver’s limit without distortion.